colour-software-colour-lab

LOOK DESIGN SOFTWARE

FASTEST AND MOST INTUITIVE TOOLS FOR LOOK DESIGN AND COLOR MANAGEMENT

Colourlab provides a complete look design and a universal color management solution for the creative filmmaker. It’s a unique set of algorithms are built on the latest advances in color science based on common laws of perception. Its pristine image quality and powerful set of features including high precision image processing, ACES, film stock emulation, color palettes and profiles, custom contrast curves, ASC CDL, 3DLUT and hardware integration give you endless creative flexibility to take your image to new heights.

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POWERFUL ALGORITHMS

FILMSTOCK, COLOR PALETTES, CAMERA PROFILES CONTRAST CURVES

At the heart of Colourlab are powerful algorithms that form an innovative approach for control of image DNA.

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Directly integrated with DaVinci Resolve

A suite of plug-ins for Mac, Windows and Linux

Our advanced color science expands capabilities of Davinci Resolve further giving you a unique set of tools for the look creation and color management so you are able to focus on creative aspects of colorist tasks while we take care of the technical part.

HARDWARE INTEGRATION

export 3dluts for all lut hardware units and most monitors and cameras

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3D LUT UNITS
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MONITORS
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RED
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ARRI

Colourlab offers support for all professional 3D LUT hardware units including: BOX I/O, Teradeck, OMOD, Fuji IS, Decklink, Atomos, Small HD, Panasonic Varicam, RED

Colourlab supports most professional digital cameras and creates output profiles for both SDR and HDR monitors.

FILM STOCK EMULATION

Colourlab’s unique film stock emulation process.

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COLOUR PALETTES

Colourlab’s set of ever expanding colour palettes.

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Custom CAMERA PROFILES

Colourlab’s secret lies in its unique camera input profiles. Designed and developed by one of the leading colour scientist, these profiles unlock new camera potentials.

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ARRI
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RED
CANON
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PANASONIC
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SONY

BUILT FOR HDR WORKFLOWS

Colourlab is build from ground up to support parallel SDR and HDR workflows.

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ACADEMY COLOUR ENCODING SYSTEM

Colourlab is capable of creating looks for ACEScct pipelines for even the most demanding workflows.

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UNIVERSAL COLOUR MANAGEMENT

Colourlab color management approach is universal and open. Color decisions and looks can be communicated with all members of production and post-production, regardless of what software platform they use. Colourlab breaks the barriers in open color communication

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DaVinci Resolve 16
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Baselight
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Nucoda
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Adobe Premiere
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Adobe Photoshop
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Avid
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FCPX
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Affinity
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Nuke
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Livegrade

COLOURLAB LOOK DESIGN



  • Universal Color Management Engine
  • Film Stock Profiles
  • SDR REC709 and HDR10 support 
  • Contrast Curves & Color Profiles 
  • LUT export
  • Dual Machine Activation

$240



COLOURLAB HDR



  • Universal Color Management Engine
  • Perceptually accurate SDR to HDR translation 
  • Graded Archival Master Creation 
  • PQ 100, 800, 1000 and 2000 support 
  • Netflix P3D65, and REC2020 support
  • Dual Machine Activation

$240



COLOURLAB ACES



  • Universal Color Management Engine
  • Film Stock Profiles
  • Color Palettes 
  • Built in Neon Suppression 
  • LUT export
  • Dual Machine Activation

$240



COLOURLAB STUDIO



  • Colourlab Look Design
  • Colourlab ACEScct
  • Colourlab HDR 
  • Wide Gamut Color  Mastering 
  • Film Stock Profiles for ACEScct
  • Dual Machine Activation

$580


Supported on all operating systems

Supported on
MAC OS
Supported on
Windows
Supported on
Linux

DOWNLOAD FREE COLOURLAB LOOK DESIGNER TRIAL AND TEST ITS CAPABILITIES

Trial has watermarked image output and no LUT export functionality

Quality

High Precision Image processing, Low Noise, Gamut Mapping and Color Scaling in HDR

Speed

GPU accelerated  CUDA, Open CL and Metal2. The more GPU power the faster it gets.

Cost

Colourlab saves users a lot of time and with that money as well. It pays of for it self within 2 days.

Overall rating :  4 .7/ 5

Colourlab has received 4.7 out of 5 rating for the combined image processing quality, speed of processing and cost value ratio. Rated by more than 500 top industry professional and beta testers.

TRAINING AND CERTIFICATION PROGRAM

1

Free YouTUBE VIDEOS AND USER FORUM

From Installation tutorials to various look development recipes

2

IMAGE QUALITY QUEST

Structured online training focusing on Color Management and latest image processing techniques that will instantly improve your image quality.(coming soon)

3

COLOR MANAGEMENT CERTIFICATION PROGRAM

2-Day masterclass in LA and NY thought by Dado Valentic for the ultimate industry-wide recognised  Color Management Certificate.

TECHNICAL SPECIFICATION

Colourlab 1.03

CAMERA INPUT PROFILES

  • Alexa Wide Gamut + Log-C  
  • Sony S-Gamut3.cine + S-Log3
  • Sony S-Gamut3.cine + S-Log3
  • Panasonic V-Gamut + V-Log
  • Red IPP2 + REDWideGamutRGB + Log3G10
  • Red DragonColor2+RedLogFilm
  • Canon Cinema Gamut + C-Log3
  • Blackmagic Design Wide Gamut Gen 4 + BMD Film
  • DJI D-Gamut + D-Log
  • REC709 + 2.4

KODAK FILM STOCK PROFILES

  • Kodak 2383 Print Stock  
  • Kodak 2393 Print Stock
  • Kodak Ektar 100 Negative
  • Kodak Elite Chrome 200 Negative
  • Kodak Elite Color 200 Negative
  • Kodak Vision 3 200T Negative
  • Kodak Vision 3 400T Negative
  • Kodak Vision 3 5207 Negative
  • Kodak Vision 3 5219 Negative

DELIVERY FORMATS

  • SDR REC709 
  • DCI P3 D60
  • Dolby P3 D65
  • Apple P3 D65
  • HDR10
  • Dolby Vision PQ800/1000/2000
  • HDR Archive/restore

COLOR PALETTES

  • Neutral N1, N2, N3 – Color Space Acurate
  • Positive – Major
  • Negative – Minor
  • Ultra Wide Gamut
  • High Precision Processing

OUTPUT COLOR SPACES

  • REC709 (2.4 Gamma)
  • P3DCI (White 5900K 2.6 Gamma)
  • P3D65 ( White 6500K 2.4 Gamma)
  • RED IPP2 In Camera
  • HDR10 (ST2084 REC2020 PQ1000)
  • HDR PQ100 (REC2020 or P3D65)
  • HDR PQ800 (REC2020 or P3D65)
  • HDR PQ1000 (REC2020 or P3D65)
  • Archive/Restore

FUJI FILM STOCK PROFILES

  • Fuji 8543 Negative
  • Fuji 8553 Negative
  • Fuji 8563 Negative
  • Fuji eterna 250 Negative
  • Fuji F125 Negative

COLOR ENGINE DNA

  • 4096 point 
  • Ultra Wide Gamut
  • 32-bit Float
  • ACEScct 1.1
  • Dual Engine Processing
  • Davinci Resolve 14, 15, 16
  • GPU accelerated: Cuda, Open CL, Metal2
  • Mac OS, Win10, CentOS, Ubuntu

CONTRAST CURVES

  • S-Curves – Standard Contrast
  • L-Curves – Low Contrast
  • F-Curves – Film Contrast
  • 4096 Point
  • High Precission Shadow Detail

QUESTIONS?

Get in touch if you have any questions that are specific to your production or workflow. We will be happy to see how Colourlab can best assist you